أتنقّل بين التصميم والفن والتنسيق الفني، وأبحث في الثقافة والذاكرة والمكان، وفي الطرق التي تتجسّد بها بصريًا
I work across design, art and curation, exploring culture, memory, place and the ways they become visual.


الأعمال
Work

            أعمال تجارية        
           Commercial        

شهادة
What We Witness We Carry


Exhibiting Artists

Saif Fradj, Tunisia
Zineb Bouchra, Morocco
Adem Yahiaoui, Algeria
Ibouyen, Morocco
Abdelmounaim Yousfi, Morocco
Abdellah Aboulhamid, MoroccoMarrakech, Morocco
February 2026


Six North African artists examine how we claim and resist the erasure of places and histories that define us.

An oasis destroyed by extraction. Children flying kites despite lockdown. Dream symbols erased. Earthquake fragments suspended.
Ancient rock carvings—archive and home at once. A father's hidden photographs finally shown.

Territory is cultural, ancestral, embodied. These artists document what dominant systems work to conceal: ecological destruction, restricted freedoms, intergenerational trauma, ancestral persistence, suppressed legacies.

Through photography, painting, drawing, and installation, they assert agency. They make the hidden visible. They transform fragmentation into form.

Bearing witness becomes resistance.




بيار
BILLARD


Exhibiting Artists
Amine Habti, Morocco
Mohamed Smyej, Morocco
Nabil Boudarqa, Morocco
Kamil Hajji, Morocco
Nyzar Trabxlsi, Tunisia Marrakech, Morocco
February 2025

A coin on the edge of a billiard table... that was all it took to belong. In the dim corners of 1990s North Africa, billiard rooms hummed with arcade melodies and teenage dreams. Between chalk dust and cigarette smoke, Raï music filled the air with tales of love and heartbreak.

As part of the 1-54 Contemporary African Art Fair 2025, five artists bring this vanished world back to life, each contributing their piece to this puzzle of memories. Their works fit together like well-worn tokens, each adding its own note to a familiar melody.

Amine Habti (b. 1988) brings to life an arcade game where the spirit of Cheb Hasni resonates. Kamil Hajji's fingers combine Tetris blocks and zellij patterns in ceramic trays. Nabil Boudarqa's (b. 1986) brush chases game room ghosts across paper. Nyzar Trabxlsi (b.1989) creates in-situ posters drawing from the era's cartoons and video games. Mohamed Smyej (b. 1976) invites visitors to dive into a vibrant and playful retro-gaming universe through his interactive pixel art projection.



الله 1
Allah 1


Exhibiting Artist
Mothanna Hussein, Palestine Marrakech, Morocco
November 2026

Since 2020, Mothanna Hussein has worked with a single subject: الله. His starting point is a property of the Arabic script itself, a flexibility so complete that the word can surface inside shapes the world already holds. The curve of an animal, the outline of an everyday object. Drawn a certain way, they read. Hussein's gesture is closer to revealing than inventing, adjusting a line until a familiar form becomes legible as the word, as if the divine were not added to things but found in them.

The series carries this into matter. Sculptures, works in silver, pieces made to be worn. A collection of necklaces shares one word and nothing else; each takes a different visual character, familiar yet seen for the first time, and no two look alike. The same four letters, unrecognizable from piece to piece, always saying the same thing.

Hussein comes to this from Amman, where he co-founded the studio Turbo and helped shape Warsheh, a practice built on visual clarity and social conscience. Allah 1 distills it into one question: what does Islamic art look like when the script is alive enough to live anywhere?


ما للرمال والحجر
Echoes of Sand & Stone


Exhibiting Artists

Saif Fradj, Tunisia
Abdellah Azizi, Morocco
Lama Nayouf, Morocco/Syria

Marrakech, Morocco
October 2024

Echoes of Sand & Stone gathers three artists from Syria, Morocco and Tunisia around a shared conviction: heritage is not kept in monuments alone. It sits in land, light and matter, waiting to be read.

Lama Nayouf's graphic installation, Threads of Then, Haze of Now, grew out of an eight-month return to Syria, to family and archive. It turns away from the vocabulary of conflict to insist on another Syria, one of ancient contribution and stubborn continuity, braiding her own identity into the country's long memory.

Abdellah Azizi photographs the desert near Guerguarate, where coral rock still lies exposed under the sun. A Desert Once Underwater holds two landscapes in a single frame, Sahara and seabed, present and deep past, a terrain that quietly outlives every story told about it.
Saif Fradj measures a more recent silence. Shot on black and white film between Portugal and Tunisia, Alone in the Light traces how solitude changed shape around the pandemic, streets and coastlines emptied then slowly refilled, blurred and doubled until loneliness itself becomes a kind of landscape.


ياسلام: مطبوعات من شمال إفريقيا، بلاد الشام والخليج
YASALAM: Art Prints from North Africa, the Levant and the Gulf


Exhibiting Artists

Abdellah Azizi, Morocco
Adem Yahiaoui, Algeria
Anas Ouaziz, Morocco
Ali Almasri, Jordan
Hicham Matini, Morocco
Ismail Elaaddioui, Morocco
Mariem Abutaleb, Egypt
Med Amine Mouhtadi, Morocco
Mehdi Ait El Mallali, Morocco
Mothanna Hussein, Palestine
Nabil Boudarqa, Morocco
Nyzar Trabxlsi, Tunisia
Rex Chouk, Saudi Arabia
Safaa Kotbi, Morocco
Saif Fradj, Tunisia
Zakaria Ait Wakrim, Morocco
Abdellah Aboulhamid, MoroccoMarrakech, Morocco
November 2023

Group show of art prints by 17 artists from Morocco, Algeria, Tunisia, Egypt, Palestine and Saudi Arabia.